Tatto Style

Back in September, I met Gene on Broadway, just outside of Bowling Green Park.

I've been saving his tattoo for today, Veteran's Day, as it seemed most appropriate:


Gene told me a guy named Michael did this tattoo "about seven or eight years ago" and that the artist lives in Florida now.

"Believe it or not," Gene told me, "this is lie, the sixth tattoo he ever did."

This image of three soldiers, two holding up the one in the center, is an iconic one. Gene told me he served  twenty-three years in the U.S. Army and Army Reserve.

Thanks to Gene for sharing his tattoo with us on Tattoosday. And a big thank you to Gene and all his fellow veterans for their service to our country!

This past Sunday, a woman walked into the grocery store with face tattoos. My wife turned to me and asked if I had every featured face tattoos before. The answer was yes. I started thinking about this encounter from 2010, which resulted in one of my favorite Tattoosday posts. Enjoy!

It's not often that I get someone to share facial tattoos here on Tattoosday, but the occasion arose last month while I was browsing at one of my favorite inkspotting locales, the Borders in Penn Plaza.

I was lucky to meet Catanya, who I noticed had interesting markings on her face, and I was compelled to ask her about the ink. She gladly posed and told me a little about the designs.


Catanya explained that she got her tattoos in the 1970's in New York. She was involved as a dancer in the art scene and eventually married a photographer and relocated to New Mexico and currently resides in Baja, California.

She referred to herself as a "gypsy tribal belly dancer hula hooper" and explained that the design on her forehead is a yin-yang, the tattoo on the right side of her face is Apache feathers, and that the left side and chin are Moroccan in their origins.

Catanya also told me that she had been photographed by someone named Stanley Stellar many years ago here in New York, and that he might have photos from those early days.

Thinking it would be great to have a photo of Catanya from when she was much younger with these tattoos, I tracked down Mr. Stellar and asked if he still had access to his photographs. He completely came through and forwarded this shot:


I certainly feel  fortunate to be able to share photos of the same tattoos, separated by thirty-three years.

Such an opportunity allows us to see an example of how one person has aged gracefully, along with her tattoos.

Catanya subsequently emailed me and elaborated on her tattoos and their history:

Back in the early 1970's I was part of a "tribal style" group of dancers and musicians from all over the world. The main things we had in common were our love of the Dance, world music, colorful costumes and even more colorful life styles. That included Henna, Kohl rimmed eyes and LOTS of Tattoos! We also sported plenty of nose jewelry!   The tattoos for all of us were personal and also tribal, (as can be seen in India, Morocco and other  exotic places around the world.) I do not think that any of us took our tattoo ceremonies lightly. 

I received my first tattoos in Venice, Calif. in 1973.

I like to think of it as an initiation ceremony. It was wonderful! Lots of music and dancing and plenty of red wine and good herbs.

My tattoos were applied the "old fashioned" way. India Ink, a needle and a broken pen.

They were done by two brothers from Cuba. They were also fantastic Conga drummers!

A few years later, I had a few more tattoos added to my collection. These were executed by a wonderful tattoo artist, Boyd, in Taos, New Mexico.

I do not regret any of my tattoos and find as the years go by that I am actually "earning" them. I am becoming them. They ARE a personal manifestation of my journey in life.

As my friend Walter once said to me, (referring to my Eagle feathers tattoo), "Catanya, when I look into your eyes, I see that you are growing your real Eagle feathers."

Walter Chappell and Catanya, Santa Fe, New Mexico, 1985 © 1985, 2008 Robert Saltzman

The photo above was taken by Catnya's husband about eight years after Mr, Stellar's photo, with the late photographer Walter Chappell, their friend quoted by Catanya in her testimony.

I want to profusely thank Catanya for allowing me to photograph her and for sharing her tattoos with me, and all of us here on Tattoosday! It's an encounter like this that really stands out among the hundreds I have had over the last few years. To be able to see how someone has so gracefully and proudly worn their tattoos over time is truly an honor and a blessing.

I also want to thank Stanley Stellar for sharing his photograph of Catanya from so many years ago. You can see more of Mr. Stellar's photography here. Be sure to check out his wonderful tattoo photos under the "images" section.

I met Kaz over the summer on Wall Street and asked her about the cool dragon tattoo wrapped around her upper arm. I gave her a Tattoosday card and she said she'd think about sharing. We ran into each other a day or two later and she was game. Check out her dragon:


She credited this work to the artist Daniel Cotte, formerly of North Star Tattoo, now working out of Senaspace Art and Tattoo in New York City. Cotte's Instagram is @mistercotte.

Kaz told me about how her first tattoo came to life:

"I was going to get a little one on my back, but then he said let me draw a picture for you ... I said 'Okay, I leave it to you." And then when I went back there , he had this HUGE picture, my God! But I really liked it."

It really is a beautiful black and grey dragon, with that extra special pop of color from the cherry blossoms.

Thanks to Kaz for sharing her cool tattoo with us here on Tattoosday!

She chose an owl because O is the first letter of her daughter's name, W is the first letter of her son's name, and L is the first letter of their last name. The bird's blue eyes are also a nod to her son.

Both tattoos were done by the amazing Emma Griffiths, from Forgot Me Not Tattoo in Greenpoint, Brooklyn. Work by Emma has appeared previously on Tattoosday here,

Thanks to Jen for sharing her cool Olive and OWL tattoos with us here on Tattoosday!

UPDATE: I found the notes from this interview and want to provides some more information on this piece.

At the beginning of last month, a spotted a guy across from the New York Stock Exchange. He had this really cool portrait on his right arm:


This tattoo belongs to Luciano, who was in a hurry after I took the photo. He gave me the most basic information - primarily that this is a portrait of his grandfather, from when he was in the navy.

He credited Dan Price who tattoos out of Dan Price's The Lab in Miami, Florida.

Thanks to Luciano for sharing your tattoo with us here on Tattoosday!

I was walking down Sixth Avenue, south of 14th Street,  the other day, when I noticed someone ahead of me with a bunch of tattoos.

When he stopped at a crosswalk, I introduced myself, and learned he was Marcel Blue, an artist at Daredevil Tattoo in Manhattan.

He offered up this piece on his leg, based on some old tattoo flash, and completed by one of his Daredevil colleagues, Peter Chile:


Thanks to Marcel for sharing his tattoo with us here on Tattoosday!

With summer ending this week, I want to celebrate with one last tattoo from June's Mermaid Parade on Coney Island:

I met Erin at the end of the parade on the boardwalk:


You may notice the colorful tattoo on her upper left arm:


Erin explained that this piece was conceived by a friend of hers who works for the designer Ana Sui.
This is a rendition of Erin, in the spirit of Ana Sui's style. The phrase "Sans la musique, je n'existe," means, in French, "without music, I don't exist."

Erin credited the tattoo itself to Marissa Mikeo, an independent NYC-based artist.

Thanks to Erin for sharing her cool tattoo with us here on Tattoosday!

This entry is ©2015 Tattoosday.